A Cold and Naked Protest
I have a brief story tonight which I used one of those instant story makers to make in this one is an embarrassed nude female story that sort of becomes a CFNM story involving people protesting naked outside, the perfect thing for the middle of winter, enjoy! I'm also making good progress on my nudity virus novel that hopefully I will finish before the end of the month.
A Cold and Naked Protest
The wind off the Cook Inlet was a living thing, a razor-toothed serpent that coiled around the three women standing on the frozen gravel shoulder of the highway. Angela, Stacy, and Meredith, their skin puckered into a landscape of gooseflesh, huddled together for a sliver of borrowed warmth. Behind them, a hand-painted banner tied between two spruce trees snapped and strained: “NO PIPELINE ON STOLEN LAND. BODY AS PROTEST.”
Three days ago, in the insulated warmth of a Fairbanks community center, the idea had sounded transcendent, revolutionary. Soren, the intense, bearded organizer with eyes like glacial ice, had laid out the plan. “They objectify the land, treat it as a resource to be stripped,” he’d said, his voice low and compelling. “We will objectify ourselves. We will present our vulnerable, human forms against their machines. The contrast will be undeniable. The media will not be able to look away.”
Angela, a graduate student in environmental ethics, had felt a surge of pure, ideological fire. Stacy, a nurse practitioner, had calculated the risks—hypothermia, exposure—but had been swayed by the potent symbolism. Meredith, Angela’s older sister who was visiting from Seattle, had been dubious but was swept along by her sister’s fervor and a latent desire to do something, anything, that mattered.
Now, as a sparse convoy of pickup trucks slowed to a crawl, the drivers’ faces pressed against foggy windows in disbelief, the theory crumbled under the assault of sheer, physical misery. The cold wasn’t just cold; it was an aggressive, penetrating force. It stole the breath from their lungs, needled into their bones, and turned their feet into blocks of aching marble on the icy ground. The embarrassment was a secondary, burning wave. It wasn’t the nudity itself—they’d prepared for that, had a sense of feminist solidarity—it was the absurd, stark vulnerability of it. They were not powerful symbols. They were three freezing women on the side of a road in Alaska, while the six male protesters, including Soren, stood resolute and fully bundled in thick parkas, wool hats, insulated boots, and gloves.
“My nipples could cut glass,” Stacy muttered through chattering teeth, her arms crossed tightly over her chest. A utilitarian woman, she was already running a mental inventory of early frostbite symptoms on her friends.
“This is… not what I pictured,” Meredith whispered, her body trembling uncontrollably. She watched a semi-truck roar past, the driver laying on the horn in a long, derisive blast that seemed to suck what little warmth she had left right out of her. “I pictured… I don’t know. Braver. Warmer.”
Angela tried to stand tall, to embody the principle. But her teeth were chattering so violently she feared they’d crack. Her gaze fixed on Soren. He was speaking earnestly to a local reporter, his parka hood framing his face, his hands gesturing passionately. He looked committed, comfortable, and utterly, infuriatingly separate from the core act of protest he had conceived. A corrosive thought, fueled by cold and humiliation, began to form: He gets to be the mind. We are just the exposed, suffering body.
The media, a grand total of one reporter from the local weekly and a blogger with a shaky camera, had gotten their shots twenty minutes ago. The novelty had worn off. Now they were just waiting, exposed and deteriorating. The men stamped their boots to keep circulation going. The women simply shivered, their movement limited to a desperate, shared quaking.
“This is ineffective,” Stacy stated, her nurse’s voice cutting through the wind. It was no longer an observation; it was a diagnosis. “We are becoming medical emergencies, not political statements. The narrative is ‘Foolish Women Freeze for Cause.’ It’s not ‘Powerful Protest Halts Pipeline.’”
Angela felt the truth of it, cold and hard as the ground beneath her. The principle was sound, but the execution was a catastrophic failure of empathy and equity. Her eyes, stinging from the wind, scanned the men. They were allies, friends. But in this moment, they were also a insulated wall, spectators to their sacrifice.
A new idea, born of desperation and a sharp, clarifying anger, struck her. It wasn’t a retreat; it was an escalation.
She turned to her huddle. Her voice was raw from the cold. “We’re doing it wrong.”
“No kidding,” Meredith groaned, trying to cover more of herself with hands that had gone numb.
“No,” Angela insisted, a spark returning to her eyes. “The vulnerability is the point. But we’re… we’re expected to be vulnerable. The world sees female bodies and sees vulnerability. It’s a cliché. What’s unexpected? What truly inverts the power structure?”
Stacy followed her gaze to the bundled men. A slow, grim understanding dawned on her face. “The protected becoming unprotected.”
“Exactly,” Angela said, her mind racing faster than her blood. “They conceived this. They should embody it. Fully. Not from the comfort of a parka.”
The initial approach was logical. Angela, stumbling on stiff legs, walked up to Soren. “Soren. We’re hitting critical hypothermia. The protest fails if we pass out. We need your coat. Just for a few minutes, to rotate warmth.”
Soren’s face was a mask of compassionate concern. “Angela, the integrity of the action… if we start covering up, the message is diluted. Your suffering is the message.”
“Our collective suffering should be the message,” she shot back, her anger giving her words force. “Why is it only ours? Give me your parka. Now.”
It wasn’t a request. It was a demand. The other men glanced over, uneasy. Stacy and Meredith had hobbled over, a phalanx of blue-tinged skin and defiant eyes.
Soren hesitated, the conflict between his ideology and the immediate human need playing out on his face. With a sigh that plumed in the air, he began to unzip. “Just for a few minutes. To rotate.”
But as the heavy down parka settled on Angela’s shoulders, a wave of such profound, life-giving warmth enveloped her that a groan of pure relief escaped her lips. It was more than fabric; it was salvation. She looked at Stacy and Meredith, saw the desperate longing in their eyes, and the plan solidified.
“Now you,” Stacy said, pointing to a young man named Leo, who held the banner rope. Her tone brooked no argument. It was the voice she used with non-compliant patients. “Your sweater. Now. And your hat.”
The badgering began in earnest. It was not gentle. It was the raw, uncompromising negotiation of the truly desperate. Meredith, who had felt passive all morning, found a fierce voice. “You wanted a spectacle? You’ll get a better one. Give me your boots, Ian. My toes are dying.”
The men, confronted not by abstract ideology but by the immediate, physical agony of their friends, could not refuse. Their arguments about message purity melted under the heat of shared guilt. One by one, they surrendered their garments. The parka, the sweaters, the thick flannel shirts, the wool beanies, the insulated gloves. The transfer was clumsy, fumbling with cold-stiff fingers, a bizarre and intimate dance on the frozen gravel.
Finally, the three women stood bundled, swimming in the men’s oversized clothing, the residual warmth from the fabric feeling like a divine embrace. They stamped their newly booted feet, flexed their gloved fingers.
And there, where the women had stood, now stood Soren, Leo, Ian, and the three other men. They were naked in the Alaskan wind. The effect was instantaneous and utterly different.
These were not bodies accustomed to being publicly vulnerable. Soren, tall and lean, instinctively curled in on himself, his arms wrapping his torso, his posture defensive, shrinking. Leo, broad-shouldered and usually jovial, looked bewildered and strangely young, his hands moving ineffectually to cover himself. Ian, a burly carpenter, seemed to diminish, his powerful frame rendered not imposing but exposed. The wind hit their skin and they flinched, a unified, jerky movement. Their vulnerability was not just physical; it was social, psychological. It was unfamiliar.
A car slowed. The driver, a middle-aged man, took in the scene. His gaze swept over the now-clothed women with mild curiosity, then landed on the shivering men. His eyes widened. He didn’t leer; he stared in pure, unadulterated shock. Then, he laughed—a short, sharp burst of disbelief—and drove off, shaking his head.
That laugh was a revelation.
“Look at them,” Angela whispered, her voice muffled by Soren’s parka collar but vibrating with intensity. “Look at the story now.”
The narrative had irrevocably shifted. The expected image—vulnerable women—had been replaced by the unexpected: vulnerable men. The power dynamic they had unconsciously built—the clothed male strategists and the exposed female bodies—lay shattered at their feet. The men’s discomfort was palpable, profound. It wasn’t just about the cold; it was about a loss of social armor, of the inherent protection their clothing and gender had afforded them in that context.
The blogger, who had been packing up, fumbled for his camera again. This was new. This was weird. This was a story.
Soren, trying to maintain a shred of dignity, attempted to continue speaking to the reporter. But his voice was thin, robbed of its former authority by his chattering teeth and his instinctive, self-protective hunch. His words about corporate exploitation and indigenous sovereignty were undercut by his own visceral, visible exploitation by the elements. The message became entangled with the messenger in a far more compelling way.
The protest became real in a way it hadn’t been before. The absurdity was sharper, the danger more apparent, the question of “why” more urgent. A state trooper arrived, not with aggression but with baffled concern. “Folks, you can’t… I mean, especially you gentlemen, you’re going to get seriously hurt.”
The men, proud and committed, tried to stand their ground. But their bodies betrayed them. Their bravado was frozen out of them. After fifteen minutes that felt like hours, it was Leo who broke, stumbling toward the pile of remaining clothing—their base layers—and pulling on a pair of long johns with desperate haste. It was a surrender.
One by one, the men retreated, dressing quickly, their silence heavy with a new and humbling understanding.
The women, now warm, watched. The protest was over, but the lesson was just settling in.
Driving back to town, swaddled in silence and borrowed wool, Meredith spoke first. “I’ve never seen anything like that. The way he laughed… it wasn’t at us. It was at them. It was confusion.”
Stacy, massaging feeling back into her feet, nodded. “Their vulnerability was a shock. Ours was a foregone conclusion. The protest became about their shock, not our cause.”
Angela stared out at the passing spruce, black against the twilight sky. “He was right about one thing. The body as protest. But he thought the body was just a surface to inscribe a message on. He forgot that the body has a gender, a history, a context. A naked man in the cold isn’t a symbol of environmental defiance. He’s a man who is cold and naked. It’s so basic it bypasses ideology. It just… is. And in that ‘is,’ people finally saw the absurdity of the whole situation. The pipeline, us, all of it.”
They had gone out as sacrificial symbols and returned as reluctant strategists. The pipeline would still be debated in boardrooms and courtrooms. But in a rented cabin outside Fairbanks, six men now understood the cold in a way they never had, and three women understood the heat of a reclaimed power they hadn’t known they’d surrendered. The most effective protest, they realized, wasn’t about who could endure the most suffering, but about who was forced, finally, to feel it. And in the brutal, equalizing air of the Alaskan winter, feeling—raw, uncomfortable, and shared—had proven to be the most disruptive force of all.
This was another one of those ones that I put into an instant story maker where I was just thinking about how it was really cold out where I was when I wrote this story and I was thinking that being naked outside is a form of protest if it was the middle of winter or in the middle of Alaska in this case would be incredibly brutal, but you figure that a lot of naked women standing on the side of the road freezing and cold and naked would certainly bring lots of attention to the protest, but then in the end they end up turning the tables on the man and the men reluctantly give up their clothing and they end up getting more attention than a bunch of naked women. But I thought it works pretty good where you take an embarrassed nude female story and turn it into a CFNM story in the end, where all of the characters sort of end up getting a taste of being naked in public. Once again naked protest I think is a fertile ground for many stories, and I thought setting in a place that was freezing cold was a unique twist on it that I am surprised I hadn't thought of sooner!








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